20/08/2010, 15:36
20/08/2010, 19:01
Premesso che consiglio la lettura a chi ancora non lo avesse fatto di questo meraviglioso testo (che è reperibile anche online su numerosi siti, pure il mio), colpisce fin da subito la presenza di un simbolo che è presente in ogni parte del mondo, un'immagine che in ogni luogo è sinonimo di conoscenza arcana (cosa che nella tradizione giudaico-cristiana è poi divenuta negativa e malvagia): il serpente."Provengo dalla santa arena del grande sacrificio dei serpenti di Maharaja Janamejaya," rispose Suta, "ove mi è stato concesso l'onore di ascoltare la sacra e meravigliosa storia chiamata Maha-bharata, composta da Vyasa. Subito dopo, colto da curiosità, sono andato a visitare Samanta-panchaka, il luogo in cui tempo fa si combatté la battaglia fratricida tra i figli di Dritarashtra e quelli di Pandu, i protagonisti di questa fantastica narrazione, che è in sé stessa una meditazione sul Signore Supremo Shri Krishna e arreca a tutti, oratori e ascoltatori, il massimo del beneficio spirituale. Se volete posso ripetervela dall'inizio, esattamente come l'ho ascoltata, senza aggiungervi niente di mio."
[align=right]fonte: http://www.art-litteram.com/index.php?option=com_content&view=article&id=147:archeoastronomia&catid=31:lo-scrigno-dellarcano&Itemid=36[/align]Angkor, la città nascosta nella giungla cambogiana è una collezione di meravigliose cattedrali e monasteri sia buddisti che induisti, con templi altissimi e bassorilievi ineguagliabili. Angkor, la capitale dell’impero Khmer si è sviluppata nell’arco di 500 anni; i cambogiani la chiamano semplicemente Angkor, che nella loro lingua significa Capitale. E’ interessante notare che la stessa parola ANGKOR in egiziano significa IL DIO HORUS VIVE. Nel 1996 J. Grigsby, collaboratore di Graham Hancock, fece una scoperta eccezionale: i principali monumenti di Angkor sono la controparte terrestre della costellazione del Drago, esattamente come le tre piramidi di Giza rispecchiano le tre stelle della cintura di Orione, i monumenti di Angkor rappresentano il sinuoso dragone celeste. La splendida collaborazione tra Hancock e Grigsby ha portato ad un altro risultato di enorme interesse e cioè che non solo i templi riproducono sul terreno la costellazione del Drago, ma lo fanno fermando la stessa data delle tre piramidi di Giza il 10.450 a.C.
Lo stesso messaggio, gli stessi strumenti, la stessa data di partenza, il 10.450 a.C. o l’era del leone, la stessa data d’arrivo, tra la fine dell’era dei pesci e l’inizio di quella dell’acquario, gli stessi numeri per calcolare il fenomeno precessionale, gli stessi miti e la stessa maniera di esprimersi tra due popolazioni che, secondo la scienza ufficiale, non hanno avuto nessun tipo di contatto. Tutti questi dati comuni non permettono di parlare di coincidenze tanto più che entrambi i siti, sia Angkor che Giza, sono in grado di declinazione 0, dove il nord magnetico e quello geografico coincidono.
20/08/2010, 23:27
21/08/2010, 09:48
21/08/2010, 11:55
21/08/2010, 11:55
21/08/2010, 12:26
DarthEnoch ha scritto:
Molto interessante. Scrivi davvero un romanzo, sarebbe un ambientazione fantastica. Ma!
Ma la prima domanda che mi sorge è come hanno fatto gli Atlantidei a perdere contro i Greci? Se erano davvero così evoluti.. come fanno a perdere contro delle civiltà notevolmente indietro quanto a tecnologia?
21/08/2010, 12:33
Lawliet ha scritto:DarthEnoch ha scritto:
Molto interessante. Scrivi davvero un romanzo, sarebbe un ambientazione fantastica. Ma!
Ma la prima domanda che mi sorge è come hanno fatto gli Atlantidei a perdere contro i Greci? Se erano davvero così evoluti.. come fanno a perdere contro delle civiltà notevolmente indietro quanto a tecnologia?
Perché gli Atlantidei non erano gli unici ad essere così evoluti (forse entrambe le civiltà, al tempo della battaglia, erano ad un livello tecnologico pari a quello di fine '800 inizio '900 o qualcosa del genere).
21/08/2010, 12:36
21/08/2010, 12:54
21/08/2010, 12:58
21/08/2010, 13:08
21/08/2010, 13:09
21/08/2010, 13:21
"These were the first men who existed in great numbers on the face of the earth.
But [...] they did not think, did not speak with their Creator, their Maker. And for this reason they were killed, they were deluged. A heavy resin fell from the sky.
This was to punish them because they had not thought of their mother, nor their father, the Heart of Heaven, called Huracán. And for this reason the face of the earth was darkened and a black rain began to fall, by day and by night.
Then came the small animals and the large animals, and sticks and stones struck their faces. And all began to speak: their earthen jars, their griddles, their plates, their pots, their grinding stones, all rose up and struck their faces.
"You have done us much harm; you ate us, and now we shall kill you," said their dogs and birds of the barnyard.
And the grinding stones said: "We were tormented by you; every day, every day, at night, at dawn, all the time our faces went holi, holi, huqui, huqui, because of you. This was the tribute we paid you. But now that you are no longer men, you shall feel our strength. We shall grind and tear your flesh to pieces," said their grinding stones.
And then their dogs spoke and said: "Why did you give us nothing to eat? You scarcely looked at us, but you chased us and threw us out. You always had a stick ready to strike us while you were eating.
"Thus it was that you treated us. You did not speak to us. Perhaps we shall not kill you now; but why did you not look ahead, why did you not think about yourselves? Now we shall destroy you, now you shall feel the teeth of our mouths; we shall devour you," said the dogs, and then, they destroyed their faces.
And at the same time, their griddles and pots spoke: "Pain and suffering you have caused us. Our mouths and our faces were blackened with soot; we were always put on the fire and you burned us as though we felt no pain. Now you shall feel it, we shall burn you," said their pots, and they all destroyed their [the wooden men's] faces. The stones of the hearth, which were heaped together, hurled themselves straight from the fire against their heads causing them pain.
The desperate ones [the men of wood] ran as quickly as they could; they wanted to climb to the tops of the houses, and the houses fell down and threw them to the ground; they wanted to climb to the treetops, and the trees cast them far away; they wanted to enter the caverns, and the caverns repelled them.
So was the ruin of the men who had been created and formed, the men made to be destroyed and annihilated; the mouths and faces of all of them were mangled."
21/08/2010, 14:42
"James Churchward
Le Plongeon's lost continent was later popularised by James Churchward (1851–1936) in a series of books, beginning with Lost Continent of Mu, the Motherland of Man (1926) [2], re-edited later as The Lost Continent Mu (1931) [7]. Other popular books in the series are The Children of Mu (1931), and The Sacred Symbols of Mu (1933).
Churchward claimed that "more than fifty years ago," while he was a soldier in India, he befriended a high-ranking temple priest who showed him a set of ancient "sunburnt" clay tablets, supposedly in a long lost "Naga-Maya language" which only two other people in India could read. Having mastered the language himself, Churchward found out that they originated from "the place where [man] first appeared—Mu." The 1931 edition states that “all matter of science in this work are based on translations of two sets of ancient tablets:” the clay tables he read in India, and a collection 2,500 stone tablets that had been uncovered by William Niven in Mexico.[7]: p. 7
Churchward gave a vivid description of Mu as the home of an advanced civilization, the Naacal, which flourished between 50,000 and 12,000 years ago, was dominated by a “white race,"[7]: p. 48 and was "superior in many respects to our own" [7]: p. 17 At the time of its demise, about 12,000 years ago, Mu had 64,000,000 inhabitants and many large cities, and colonies in the other continents.
Churchward claimed that the landmass of Mu was located in the Pacific Ocean, and stretched east-west from the Marianas to Easter Island, and north-south from Hawaii to Mangaia. He claimed that according to the creation myth he read in the Indian tablets, Mu had been lifted above sea level by the expansion of underground volcanic gases. Eventually Mu “was completely obliterated in almost a single night”[7]: p. 44: after a series of earthquakes and volcanic eruptions, "the broken land fell into that great abyss of fire" and was covered by "fifty millions of square miles of water."[7]: p. 50
Churchward claimed that Mu was the common origin of the great civilizations of Egypt, Greece, Central America, India, Burma and others, including Easter Island, and was in particular the source of ancient megalithic architecture. As evidence for his claims, he pointed to symbols from throughout the world, in which he saw common themes of birds, the relation of the Earth and the sky, and especially the Sun. Churchward claims the king of Mu was Ra and he relates this to the Egyptian god of the sun, Ra, and the Rapanui word for Sun, ra’a, which he incorrectly spells "raa."[7]: p. 48 He claimed to have found symbols of the Sun in “Egypt, Babylonia, Peru and all ancient lands and countries – it was a universal symbol.”[7]: p. 138
Churchward attributed all megalithic art in Polynesia to the people of Mu. He claimed that symbols of the sun are found “depicted on stones of Polynesian ruins,” such as the stone hats (pukao) on top of the giant moai statues of Easter Island. Citing W.J. Johnson, Churchward describes the cylindrical hats as “spheres” that "seem to show red in the distance”, and asserts that they “represent the Sun as Ra.”[7]: p. 138 He also incorrectly claimed that some of them are made of "red sandstone" [7]: p. 89 which does not occur in the island. The platforms on which the statues rest (ahu) are described by Churchward as being “platform-like accumulations of cut and dressed stone,” which were supposedly left in their current positions “awaiting shipment to some other part of the continent for the building of temples and palaces.”[7]: p. 89 He also cites the pillars “erected by the M#257;ori of New Zealand” as an example of this lost civilization’s handiwork.[7]: p. 158 In Churchward's view, the present-day Polynesians are not descendants of the dominant members of the lost civilization of Mu, responsible for these great works, but survivors of the cataclysm that adopted “the first cannibalism and savagery” in the world.[7]: p. 54"